FIELD BLOG SUBSCRIBE TO RSS

Kibera Youth Behind the Camera

Posted by: admin on Thu, 2010-07-22 17:35

Dinfin Mulupi reports on a Nairobi film school that seeks to transform lives through art and media.

By Dinfin Mulupi (Nairobi, Kenya)

In the outskirts of Sub-Saharan Africa’s largest slum -- Kibera in Nairobi, Kenya -- a group of youths sit in a small room, their eyes fixed on a computer. This is one of the editing rooms of the Kibera Film School hosted in the Hot Sun Foundation’s (http://www.hotsunfoundation.org/) Kibera office. The Kibera Film School, one of a number of projects the foundation runs focused on impoverished urban youth and filmmaking, opened its doors in 2009.

Kibera is home to more than 1 million people who live in sheet-metal structures among heaps of dirt, broken sewage lines and crime. In a place where jobs are scarce and creative opportunities are limited, the Kibera Film School trains youth in scriptwriting, camera work, editing, directing and producing. Well-known film professionals from Kenya (Ian Mbugua and Cajetan Boy among others) work as part-time instructors.

Showing Another Side of Slum Life

One of the film school’s first graduates and the current school coordinator is 24-year-old Josphat Keya. Keya was eager to talk to AudienceScapes about this unique school that he believes gives Kibera’s youths a ticket out of a life of poverty and crime.

Keya was chosen to be one of the 10 recruits who would participate in a nine-month training on filmmaking. “I thought filmmaking is all about entertainment, but I realized, it is also an avenue to voice out and show the happenings of Kibera,” he said.

Keya believes there is another side to the crime and poverty that dominate public perception of Kibera. There are talented young people -- innovative and determined to overcome life’s adversities. Through the filmmaking skills he acquired at the film school, he can tell this story to the world.

Meeting a Need for a Creative Outlet

The Kibera Film School was founded by U.S. filmmaker Nathan Collet, the Managing Trustee of the Hot Sun Foundation and Hot Sun Films, a commercial production company based in Nairobi. The film school was founded following the success of Collet’s film, "The Kibera Kid,” which focused on life in the Kibera slums. Collet, then a master's student at the University of Southern California film school, went on to win several awards for the film.

As a way of giving back to the community in Kibera, he began small training sessions in movie production for young people. As they attracted more interest, he realized there was a need for a full-fledged film school. Today the film school is funded through donations and aid from charitable organizations.

“Having worked with local talent during the production of ‘Kibera Kid,’ I saw a lot of raw talent from the Kibera youth and decided to give them a platform to pursue these talents,” said Collet.

The 10 recruits selected for each school year are offered training free of charge with a small stipend of KSH 4,000. Before graduation, each of the trainees is expected to produce a three-minute documentary and a short fictional film in order to graduate. They are allowed to choose topics that relate to their experiences growing up in Kibera.

Graduates are later absorbed into other Hot Sun Films and Hot Sun Foundation projects, such as TV series, short films, feature films and production service projects. Trainees film their own stories and local events and get feedback at community screenings.

Some of the graduates from the 2009 class have already been absorbed into the mainstream film industry working with several film production houses. Faith Wavinya, a 2009 graduate whose family was attacked in the 2008 post-election violence, is now an assistant editor for the series produced by the pay-per-view channel MNET, Changes.

International Recognition

One of the film school’s biggest successes is the film, Togetherness Supreme, written by a 2009 trainee, Evans Kang’ethe, and Collet. The film, which was inspired by the post-election violence, received four nominations in the African Movies Academy Awards held in Nigeria on April 10, and went on to win two awards.

“Due to this success, interviews for the 2010 classes attracted nearly 60 students, but the film school can only accommodate 12 recruits to ensure all have access to cameras and computers for editing,” said Collet.

Other youth residing in the nearby slums have been knocking on the doors of the Hot Sun Foundation hoping they, too, can be given an opportunity to train at the Kibera Film School. Collet says Hot Sun Foundation hopes to duplicate the training in other Nairobi slums, like Mathare, Korogocho and Mkuru Kayaba.

“We want to change the perceptions about Kibera and other slums; there is talent in these slums. Youths who have a story to tell, a story of their struggles and how they overcome all that. We give these youths a voice to tell their stories,” said Collet.

“The long-term plan is to have a similar project in other African nations, especially within East Africa, by partnering with other organizations,” said Collet.

 


Dinfin Mulupi is a journalist based in Kenya
Dinfin's other blog posts:
SIM Card Registration Continues Apace in Africa
Kenya's Royal Media Services Group Rides Vernacular Radio Growth
E-Learning : Rx for Kenya’s Nurses

 


Comments

Post new comment

CAPTCHA
This question is for testing whether you are a human visitor and to prevent automated spam submissions.
6 + 6 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

 


Africa Research Reports

AudienceScapes Research Briefs

Country Profiles

Africa Data Center

 



Recent Blogs

InterMedia's Ali Fisher Discusses the Changing Digital Landscape

InterMedia and PEPL Strengthen Capacity and Assess Needs in Pakistan’s FATA

SMS Based Medic Mobile Helps Bridge Healthcare Communication Gap

Kenya's Female Entrepreneurs Make Their Digital Mark

Tracking Mobile Money Use in Haiti

Beyond Nairobi: A Magazine for the Rest of Us

Pakistan: Diagnosis From a Distance

Mobile Money Arrives in Zimbabwe

Can Russia's Social Media Forces Push the Putin Regime?

Social Media: A Double-Edged Sword

The Power of Information: New Technologies for Philanthropy and Development (Conference Notes)

Kenya: Taking Mobile Money a Step Further

A Mobile Platform for HIV/AIDS Education

Learning By Computer in Rural Kenya

Mobile Grows Big in Zimbabwe

#ObamainBrazil: A New Media Research Case Study

Network Audiences: 10 New Rules for Engagement

Connecting Rural Sierra Leone

Cracking the 'Great Firewall': The Role of China's Netizens

U.S. Budget Problems: Implications for Development Worldwide

Heroes in Juarez: Citizens Challenge a City's Reputation

When Social Media is Not an Option for Social Change - the DRC Example

The Link Between Humanitarian Aid and Public Diplomacy

Bandwidth Price Projected to Drop in Zimbabwe

Company Launches Free SMS Service in Zimbabwe

Newspaper Sector Grows, Political Spectrum Still Narrow

Citizen Video Producers Changing Indian Media

Social Media in Zimbabwe: Not Enough for Democracy

Morocco: Crackdown on Popular Newspaper Al Massae

Whither Democracy/Wither Democracy: Internet Censorship in India

What If? Serious Games & Their Evaluation

Zimbabwe Telecom Companies Unwilling to Share Infrastructure

Radio Show on HIV and Discrimination Brings Hope for Nepali Women

Transforming Villages in Ghana

India's Media at a Crossroads

Media Faces Perils and Possibilities in Pakistan

Zimbabwe Media Update: Print Gets More Players, but Airwaves Still Shut

‘Gawaahi’: A Portal for Pakistani Stories